Houston’s Henna Plug!

She’s young and about her business! Meet Saundarya, aka Houston’s Henna Plug. From traditional Indian weddings to casual henna for men and women, black henna, colored henna, white henna… she does it all. Saundarya is the best around town, super talented with an eye for detail, as you’ll see with her beautifully intricate henna designs. She even used to make her own henna. How cool is that?! “Henna,” sometimes referred to as mehndi, “is a plant,” Saundarya explained to me as she was doing my henna. “It comes from the dried up leaf of the plant. I haven’t made henna in a long time so I don’t remember all the ingredients.” Now, she uses a premium, all organic henna. Check out how she got started, what inspires her and more in our chat below.

That’s awesome you used to make henna. How did you get into henna as not only an art, but also business? As a kid I always doodled in my notebook and made designs. One day my mom came home with a henna cone, “Here, you should try this.” So I tried it… and it came out really bad so I was like, “I’m just going to throw this away. I’m not gonna use it anymore.” Then one day, a few years later, I picked it back up and thought I should give it another shot. That was in high school. I kept practicing this time and that’s when I started getting better. I started practicing on myself, my friends, family. I realized I was really good and henna was starting to get extremely popular. Since I do this, I thought, “I can easily get my foot in the door.” I started January 2015, I still have a lot of progressing to do.

How did you start getting clients? I just started showcasing my work. When I started, I had no website, no promotions, just Instagram and word of mouth. That’s still all I have. People would see my work, the quality and reach out.

Do you have a lot of American clients or mostly Indian? Mostly other cultures. With Indians, we get it for Holidays, weddings, special occasions. If you go to an Indian person’s house with henna, they’ll say, “Did you go to a wedding recently?” No, I just always have my henna done (lol). With them, it’s like why would you get henna for no reason? Americans do it for fun, like something cute to get done on my birthday or some see it as a temporary tattoo. It’s not a cultural thing or embracing the culture, and it’s not spiritual to Americans like it can be [symbolic] for Indians, for example, henna night on weddings.

What is the cultural meaning behind henna? I don’t know exactly where it started. I think it originated in Hindu culture, and then grew to Middle Eastern culture. After India and Pakistan separated, the Muslims went to Pakistan then Saudi Arabia and that’s when it started spreading. It started off as part of the [Hindu] wedding celebration. It’s more of a traditional thing, cultural not religious. There’s symbolic meaning, but not spiritual like opening a third eye.

Someone once told me henna represents love. I do get that, but I think it’s an old Indian superstition, like if your henna comes out really dark, it means your mother-in-law is going to love you a lot.

Can you talk about the different kinds of henna? Nothing is actual henna except red. Red is the only traditional, organic color. Black is ink. Black henna lasts five or six days tops so I tend not to promote it. I always warn people ahead of time. Red henna lasts 2 weeks. White henna is actually body paint without the gel. Without the gel, it’s not going to wash off; well it’s not supposed to wash off. White henna is something you do for people that want it for that day. Now, they’ve started making different color hennas, its just paint without gel. You can have any color if you’re willing to only have it for a day or two. That’s why I feel red is always the best option, it won’t react to the skin, cause irritation, discomfort.

Do you apply all of them the same way? What’s your favorite to work with? My preference is definitely red, they don’t go on the same. I actually have black with me, let me show you. *She shows me how the black henna is applied.* See, I have to press against your skin. It’s blobby, it’s literally like ink. The red comes out in a straight line naturally. Oh, and with black, there are no mess-ups. I have to be really attentive with black; it’s not like red henna.

How do you come up with your designs?

Usually people come with a preset design. I usually take the design as inspiration and work with it. I’m not a fan of using someone else’s work. Show me something you like, I’ll look at it, work with it and twist it to my style, what I think will be cute. Everything I show people, everything on my Instagram, I want them to know this is where my mind is. Unless someone requests something specific, like I really want this exact design, then I’ll do it. I wont argue with my client.

You started talking about how you freestyle designs. Can you talk more about how you freestyle, the craft of henna? It took a while. I had to build my experience. The more designs in my mind, the better I am. When I first started freestyling, it was bad. Well not bad, it just wasn’t where I am now. Now, I’ve developed a flow. I can do a full sleeve. Most established henna artists have set designs, no options. I’d like to stand apart from this trend. It shouldn’t be up to the henna artist what you’re going to have on your arm. If you want me to freestyle, I should have a flow. To be able to freestyle successfully, your expertise has to be at a certain level.

What makes your style unique and different than what others are doing? I have a very neat hand and you are going to be happy. That’s one reason I always tell people [why I’m the plug!]. People will come to me and tell me I have changed their whole henna experience. They went to a salon and that’s the worst place to go. You would assume that’s your best option, but it’s not because it’s not their forte. When people come to me, they know they’ll get what they want. It’s a different quality and expertise that I offer. I wont leave something on a client’s hands that I don’t approve of. With some others, they’ll think oh, they’re American, they won’t notice. But people notice. I always want a good impression so I put my all into it. I appreciate the word of mouth and always want a positive outcome. I know my potential and what I can produce.

I don’t like leaving people unhappy so if I don’t like something, if it’s not aligned properly, I’ll erase your whole hand and start over. If you’re paying for it, you should be happy. I want you to be satisfied. If someone goes home and isn’t happy, the stain isn’t dark enough or something, I’ll say lets meet up tomorrow. There’s no excuse for me to not make sure that happens. I don’t want any dissatisfaction at all. It’s not about the money or the sales. My mom told me if I’m doing this as a business, it’s about the people.

That’s a great word from your mom. Do you have any tips or tricks to make henna last longer? A stain is usually at its darkest 24-48 hours after you apply it. I usually tell clients if you want your henna to be its darkest, leave it on the entire day and through the night. It’ll start to flake off, but really take it off the next day. The longer you let it stay, the longer the oil sets in your skin. It’ll flake in your bed though if you do sleep with it.

What should we be looking out for from you? It has to be my year. I won’t accept anything less. This will be my year of establishing clients that come to me on a regular basis. I don’t want you to consider another artist because I want you to know I’m the best. This summer will be fun; hopefully I’ll be doing group henna parties. It’s a great season to get henna, for pool parties, the beach, vacation.

What motivates you? I finally found my niche. I’m 23. I’ve spent the past few years not completing my bachelors, kind of bouncing around trying to find myself. I’ve finally found something where I am content. I can take this and run with it, make this a business. Everything else I’ve done, it’s been, “I don’t know if I like this.” With henna, it’s never been a question. I can do this day in, day out and I will never get bored of it, never get tired of it.

What does creating with purpose mean to you? When I see people happy, it makes me happy. I know what it is to be down. Every person whose henna I do, regardless of how small or big it is, I have the opportunity to shine a little bit of happiness.

How legit is Saundarya y’all!? Since I spoke with her, she’s already hit one of her goals for the year, partnering with a salon. You can find her on Saturdays in the Galleria at Momentum Hair Designs. Any other time during the week, hit her up and she’ll meet you for your henna needs. Henna party for the summer anyone? Don’t forget to follow her on Instagram, @houston.henna.

With love,

Carin

@motilaine

I Need a Gilzene in My House!

Heyy y’all. I am super excited to kick off The Chai Series with Justin Gilzene aka Club-Bum. I got the idea for this series a couple of months ago and here goes my first feature! I can’t think of anyone better than Justin to be my first interview. Justin is a super dope, young artist from the Bronx, NY. I had the privilege of chatting with him about how he got into painting, what influences him and what keeps him going. Check it out below!  

ME: When did you get into painting and what made you pick it up?

JUSTIN GILZENE: Three years ago, February 2012, I was 20 years old in culinary school, miserable, working at Cheesecake Factory and a yardhouse and had to be up at 6AM for school. The dean said you’re failing, what’s going on? He asked me what makes me happy, I showed him my sketchbook and he suggested I go to art school. I had one semester left in culinary school, but I didn’t finish. I quit Cheescake Factory when they asked me to work by myself on Valentine’s Day, I quit the yard house… I was jobless. That’s when my friend Josh who is a painter introduced me to the canvas and encouraged me to start painting.

ME: When did you know painting would be “it” for you?

JUSTIN GILZENE: In 2013, I had my first big art showcase, the Raw Natural Born Artists, 500-600 people came. I received lots of acknowledgement, but no one was buying. We were wrapping up and a guy asked me about my Biggie piece. I gave him my contact info and he said he’d get back to me. I’m thinking, “Yeah, that’s what they all say.” The next day, I was reading to my students when he called and said, “I’m ready to make a payment.”

ME: What keeps you going?

JUSTIN GILZENE: Faith in God and being true to myself. I believe in myself, I know good things are always going to come. Being around my muse keeps me going too. Teaching pre-school in 2012, I was influenced by the students to be an artist. I did art to help them learn a letter, a word, numbers… they quickly adapted. That’s how my style came about, cartoon animation, pop culture figures. I wanted to create art that appeals to both adults and young children. Kids are my number one muses, but everything influences me, life, what I see, hear, know.

I believe everyone has a cartoon figure that is them. For me, Kermit is my spitting image.”

ME: I’ve seen your style evolve this past year. Can you talk about the evolution of your style from when you first started to now and what makes it unique?

JUSTIN GILZENE: Every painting I do has a deeper meaning than what the eye usually sees. There’s a duality to the character and the persona, they coexist, it’s never random. The concept is always the hardest part.

When I started off, I was doing one-dimensional figures and using plain colors like grey, but this soon evolved to more colors. I had an exhibition in Brooklyn in 2013 (or 2014) and did a theme on bullies from different movies and how they correlated with life, Ms. Trunchbull represented the teacher bully, Deebo the neighborhood bully and the shades of grey represented their sadness and sorrow. After this, I started juxtaposing cartoons with pop culture and celebrity. I did that for about a year. Towards the end of last year, my friend said, “Man, I’m tired of seeing these juxtaposition characters, you need to evolve.” At first, I took it to heart, then I thought, “Yeah, he’s right.” That’s why I keep in my circle; he keeps it real with me.

Mickey Mouse

This new work kind of just happened. I was drawing Mickey to be the Mickey character as you know it. I was dealing with a girl and she made me upset. I took my frustrations out on the painting and it just happened. I thought, “Hmm, let me post this on social media and see what people think.” People were commenting saying they liked it more than my other style. I wasn’t sure if I should be offended or not. I was in a weird mood. They liked it, but did I really like it? That that goes to show what expression means to people. I started running with this new style, expressing more, adapting to it. I like it more.

ME: I love the goofy piece you did.

JUSTIN GILZENE: Yeah, I did that with the kids at Harlem Hospital.

ME: That’s awesome. Speaking of kids, they’ve come up a few times. It’s obvious you have a big heart. I know you’ve done quite a bit of charity work and you like giving back where you can. You once said, “I sketch. They paint.” Tell us more about this, what are you doing with the kids and why giving back is so important to you?

JUSTIN GILZENE: I am the Art Coordinator for Harlem Children’s Zone. Part of my job is to do murals on eight or nine walls. It’s fun interacting with them, getting their ideas on what to put on the walls and I get to make it a reality. Their minds are plagued so I want to do as much as possible to affect the negativity in their minds through art.

I’m also working with Harlem Hospital. The Chief of Staff recently commissioned me to update the Pediatrics Center.

ME: Wow, that’s great. Has faith played a role in any of this? How has your faith helped you grow as a painter?

JUSTIN GILZENE: It’s helped me in life in general, not just as a painter. Since I’ve grown up, I’ve seen some friends not doing so well, one friend in prison, some are just continuing that cycle. I look at myself, “What am I doing?” Life is a choice. God blesses us with choice.

“I imagine how God must feel if He’s dealing with that for everyone in the whole world.” 

ME: What keeps your faith up?

JUSTIN GILZENE: You never know how someone feels until you feel what they have felt. I think about how disappointed I am when I am trying to help someone and they aren’t listening to me, continuing in their own way after I show them. That breaks my heart. This made me open up my heart and soul. I imagine how God must feel if He’s dealing with that for everyone in the whole world. My faith inspires me to do good, to do better. God has blessed me with this passion and love and I want to do as much as I can with it. He blesses me with new ideas all the time for my paintings.

I always pray when I wake up, before I go to sleep, when I eat, when I’m walking home, I pray for creativity.

ME: Prayer is key. Do you have any life defining moments that have shaped you that you’d like to share?

JUSTIN GILZENE: I remember this day in high school, I was angry, not angry angry, it takes a lot for me to get upset. The day started off rough, then, at school, everyone was bothering me. I was talking to one girl and she got upset, her friends were goofing around with me, taking my shoes, holding me. They were playing, but I wasn’t in the mood. So I punched what was near me, a glass window. My whole wrist was cut open, I saw my bones, I cut a tendon. The doctor said I was .5 cm away from cutting my main artery. See what happens when you don’t make the right choices or don’t take the time to think and evaluate the choices? If I would’ve punched a little harder, I could’ve bled to death.

ME: Wow. That’s deep. What about with art, any defining moments you can think of you?

JUSTIN GILZENE: Honestly, it’s all the time. People saying you’re my role model, I believe in you. Even kids saying they look up to me. Whoa, me? I’m just a human being. Comments on Instagram, people saying I commend you, keep up the hard work… I’m grateful for all of that. That fuels me to become who I need to be.

This slideshow requires JavaScript.

ME: What does creating with purpose mean to you?

JUSTIN GILZENE: Based on my passion and love, I want to share it to help inspire, to motivate and to help everyone see our own flaws and the flaws in the world. I’m not scared to talk about the injustice in the world, politics, race, white supremacy. I’m not afraid to talk about love and hate against our black people, black on black crime. I want to talk about these things through my art. It’s not about the money. Someone asked me why I do my canvases so big. It’s a reflection of how I was raised. I never had my own space. I always had to share. The big canvas is creative freedom, freedom to express; I’m in my own world. I don’t really like doing things small. My purpose is to get the message out there. I’m putting it in the atmosphere, the universe, into everyone’s world. I want that impact on everyone in the world, to build a legacy based on my art and the love I put into my art, into people. That’s why I’m living.

Thanks again Justin, can’t wait to see all the exciting things you’re working on! 

Keep up with Justin’s work, @club_bum on Instagram and keep an eye out for his work in the Harlem Hospital gallery and Pediatric Center later this year. If you’re interested in commissioning or purchasing work, you can reach him at justingilzene@aol.com.

With love,

Carin